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The King's Speech

Many of you, I’m sure, have already seen the great movie, The King’s Speech. It’s a terrific story, and should be required viewing for any coach.

Geoffrey Rush (as Lionel Logue, a speech therapist) coaches Colin Firth (as King George VI) through a severe speech impediment. In dark days, as the world slides towards war, the country needs a king who can inspire confidence. The stakes are high.

As King George’s voice therapist, Lionel addresses the whole person in working with a deeply rooted pattern that traditional approaches had not been able to touch. Lionel is wholly unorthodox, in a very orthodox culture. As coach, he:

  • Insists on an authentic relationship, not taking the role (even of the King!) seriously, and constantly speaking to the authentic person within. Lionel speaks to the human, even calling His Royal Highness “Bertie.” Our roles in life provide a sense of identity that keep us safe and our world predictable, and that reinforce habits. Increased identification with a role often makes it harder to change; a coach challenges limiting assumptions associated with role in order to liberate a greater range of actions and behaviors.
  • Takes a stand for possibility, consistently believing and showing confidence that the king can learn to speak clearly and smoothly. A coach holds the belief in the client’s potential, even when the client doesn't yet see the possibility.
  • Makes strong requests to establish conditions for success. For example, the work will only be successful if it’s in Lionel’s workspace, and on a daily basis. The coach must insist that coaching be done in a way that can be successful. If the process is watered down in order to accommodate clients’ short term needs, they may not end up with the clients’ desired results. Everyone loses.
  • Engages George’s body, working somatically by asking him to roll around on the floor, shake himself loose, and break his patterns of embodiment. Our habits are wired in our bodies: playing, singing, dancing, and changing rigidly held body shapes will nearly always reveal new possibilities.
  • Impels him into self-observation. Lionel confronts George with evidence that his stammering isn’t as unconquerable as he always thought. The recording of himself eloquently reading Shakespeare astonishes him, as do moments of articulateness when Lionel goads him to anger. Moments of realization open the possibility of more substantive and permanent change, and build his trust and commitment to the process. When we find cracks in the monoliths of our stories, we are able to see, and expand, the exceptions to build something new.
  • Insists that George practice new habits and new ways of doing things. The eccentric Lionel simply knows from experience what works, and insists that the King do his homework. Practice is the essence of creating sustainable change and growth. Neuroplasticity allows the changing of even deeply rooted behaviors and patterns of thought; practice is the key.

Ultimately, with any new behavior, we must put it in action. Quoting Yoda, “there is only do or not do. There is no try.” It is in the present moment that intentions and aspirations meet the world: the ideal meets the actual.

The terrific final scene, in which King George speaks to the entire British Empire (at that time, close to 1/3 of the planet’s population) is taut with tension, as the King’s capacity to go beyond his time-worn habit is tested in a grave moment. (By the way, I intend to use the sublime third movement of Beethoven’s 7th Symphony as a backdrop to all my dramatic coaching moments from here on out!)

There’s much to be seen here. If you saw the movie already, see it again with these distinctions in mind. If not, make it a priority. This is somatic, whole person coaching, done before the term was invented.

  • What experiments could you try in your coaching, using distinctions from this film?
  • How might you be a bolder stand for your clients?
  • Where are you reluctant to make strong requests of your clients around conditions important for the success of coaching?

Please add your comments below... what other coaching elements or principles did you see Lionel doing that we can learn from?

Trish Anastos says:
Feb 01, 2011 08:42 AM
Thank you for the comments - the movie resonated strongly with me, too. Another aspect of Lionel as speech therapist is that his credentials are unorthodox. In fact, Bertie's inner circle attempts to expose Lionel because he does not have traditional expertise, credentials. Yet, he has all of the skills that are truly needed to provide powerful, effective coaching. thank you again for these thoughts.
trish
Gretchen Cherington says:
Feb 01, 2011 08:55 AM
Have wanted to see it but too busy skiing every day. Will see it with coaching lens in mind. Thanks, Doug.
Gillian says:
Feb 01, 2011 08:59 AM
Lionel becomes the King's friend. He is so absolutely authentic in being his whacky self. He did not create a professional barrier between them. Nor did he his own agenda get in the way (like how much money can I make out of this?). Lionel operated out of a belief that all men are equal and Bertie was so relieved and honoured. I see trust and confidentiality developed early in the realtionship and I believe that can be achieved in part, at least, by being authentic and seeing through the outer layers to the heart.

I'm going to see the movie again with you commments in mind..
Thank you.
Karen McMillan says:
Feb 01, 2011 09:06 AM
Doug,
So resonate with you on this. This movie is a must see for all, with an emphasis on coaches. Everything you mentioned about coaching is right on. I'd like to add that, for me, part of the power of this movie was in it's simplicity (bye bye special affects and false drama). Pure acting. An authentic art form. True voice (from the actors, and characters) Something else coaches partner with clients to realize.
Wendy Marsh says:
Feb 01, 2011 09:12 AM
I happened to see this movie over the weekend, after one of my most challenging (read exciting) coaching sessions on Friday evening. In the movie Lionel took a stand for both his own and Bertie's dignity and he taught Bertie how to fight to keep it. He was rigorously honest even when Bertie didn't want to hear it--how often does that happen? Yet his timing and understanding of when to lighten up was impeccable. The beauty of the movie is its a true story. As coaches we can help our clients identify the inner resources required to fulfill their dreams (and ours!) So all "Imposters" unite--the world has need of our crazy wisdom and present, body-centered approach! (The movie validated the bold approach I took to help my client own his contribution to a major breakdown in his life.)
Barbara says:
Feb 01, 2011 10:25 AM
Lionel taught Bertie to give voice and life to his anger so that it no longer held him hostage to its strength. Once the anger had lost its power, Lionel helped Bertie to laugh at it - and to lighten up his outlook, as well as his approach to public speaking. After seeing the movie, I wondered how differently world events might have evolved had this lightness not illuminated the king's demeanor. So Lionel not only created a relational field for his "client," he also held it for the universe - at a pivotal time in world history. (And yet we see that Lionel was not too full of himself - cowering when he realized he forgot to tell his wife that royalty was visiting their home!)
Mary Davis says:
Feb 01, 2011 11:12 AM
I am inspired now to go see this for the second time. I came away from that film feeling a lightness, myself, as I dropped, once again, constricting external definitions of "qualification", like an overly starched work shirt. I have been urged to find out more about this man, Lionel, who's colorful character, confidence, competence, and creativity, in spite of (or because of) a lack of formal credentials, encourages me in my own professional pursuits, to trust my innate gifts, and life lessons as valid and invaluable qualifications themselves.
So glad you shared this!
Carl Barringer says:
Feb 02, 2011 05:35 AM
Running, not walking to go see it based on your article and comments. Thanks,
Angela Williams says:
Feb 06, 2011 10:55 AM
So appreciated your insights, Doug. I announced to friends that TKS a must-see b/c of its authenticity on so many levels. Stellar coaching, for sure. It also brought up history in my own family of my brother's period of stuttering (and sleep walking) as family turmoil increased. The film left me wanting to know more about the father-son relationship...but there I go (again!)sliding into psychotherapy. I'm constantly redefining my coaching role. Ah, but we're not playing "a role," are we, if we're being authentic. So the refining goes on...

Do so enjoy your posts. Sorry I don't respond more often, Doug. Blessings for the new year.
Doug says:
Feb 07, 2011 02:26 AM
Great to hear from you... Glad you're getting the posts, and hope to see you this year!

Doug
Kyle Newman says:
Feb 07, 2011 01:14 AM
Very will articulated Doug. Some great reminders for us all and a solid call to step and be even more powerful as coaches!

I've not seen the film yet but am adding it to my Love Film list as I type.

Kyle
Martin Goodyer says:
Feb 09, 2011 12:28 PM
You might want to see my own comments on the film that blend very well with your observations:
http://www.martingoodyerblo[…]hing_Lessons_from_‘The_King's_Speech’
Doug says:
Feb 10, 2011 04:46 AM
Lovely post, Martin... I think you hit the nail on the head with your comments about setting aside the "advantages of working with a prestigious client..." in order to simply do what needed to be done. In coaching, we have to work with our own attachments and our own identity needs, in every moment, to be rigorously in service to our clients' needs...

Thanks for sharing...

Doug
Fiona Adamson says:
Feb 16, 2011 12:22 PM
I saw Lionel stay with Bertie throughout, even after the rift between them, he wanted to apologise so that their relationship could be restored, later both men were able to admit their 'mistakes' and realise the strength that comes through overcoming setbacks, to acknowledge that both were vulnerable. At heart it was about the power of the relationship to hold through the good times and the bad, so that in fact both men were heard, their true voices coming through to benefit them both. I was weeping by the end of the film because it touched me that the two actors really gave themselves to a portrayal of depth and truth. The battle between those who wanted the King to work with someone trained and Bertie himself was poignant given our current concern to professionalise coaching. Can we train compassion, humility, acceptance of vulnerability as well as all the other skills and gifts we saw in action? Yes we can, especially with folk like you Doug who offer courses that reach the heart of who we are so that we may bring our true selves into our coaching relationships. Bless you!
john schaffner says:
Feb 25, 2011 11:57 AM
I think the thing Lionel did that was most profound to me was the humanity and humility he brought to the relationship. Yes, he set the standard, 'his rules.' But in the scene when he pushed and pushed the soon to be king during their walk in the park Lionel was struck dumb by Bertie's attack. This pain was perfectly manifest on Geoffrey Rush's face. Deep pain. I like this scene because as coaches we push sometimes, hopefully with courage, into tough, unsavory places. But then Lionel bounced back because the King needed him to. I thought that was beautiful and true.
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